Sandwoman
Susan
Smith Nash
Urban
poverty causes madness.
I never
quite got around to discussing why or how or when.
Madness
wearing rags from the Salvation Army or Goodwill -- two competing mafias that
exist to make sure that nice girls from good families who graduate with
sociology or psychology or early childhood education degrees can remain middle
class.
I'd like
to say this is a poem, but it's not.
And, I'm on the verge of collapsing in a heap of trembling,
anxiety-filled bone & spit.
The idea
of roaming the streets along, hearing voices that tell me:
"Ask that bitch for a dollar!!"
"Write
WILL WORK 4 FOOD on that piece of cardboard!"
"Kill
that asshole for his Magic Marker!"
"Go
home to Mom!"
"Shave
your legs!"
"Stop
eating out of Dunkin' Donuts dumpsters!"
"Read!"
"Study
algebra!"
"Dig
for bones and pray to God to die before it gets any worse!"
I looked
out a broken window from a warehouse just south of the Jesus House Soup Kitchen
just north of the big slaughterhouse that gives jobs to guys just paroled from
the roughest federal penitentiary this side of the Mississippi.
I
reached into my pocket. 3 dimes, a
nickel, a crumpled dollar bill, a fluidless lighter and the grit from a generic
cigarette.
The sun
was sinking. When I had thoughts, I
began to ridicule myself. Thinking that
way would not help me. Urban poverty
causes madness. Having a buck thirty
and cigarette grit made me feel desperate and cold. Work and other issues seemed far away. Numbing the pain seemed clearer and better.
Strange
how the winter's grays make colors seem superfluous, connectedness an
impossibility.
I once
had a friend who volunteered at every halfway house and women's shelter just so
she could find someone with whom she could find non-condemnatory conversation -
another person with similar experiences who could share and make her feel less
alone in the world.
Great
idea, huh.
What she
failed to take into consideration was that when she entered these places, her
persona was not that of confidante, but of privileged white bitch -- princess
-- selfish and somewhat cruel in the interest she took in probing people's
pain.
But,
they put up with it because she signed the forms that allowed them free meals
and temporary housing in the safe house.
She had no idea they considered her a selfish, perversely (and perhaps
sadistically) curious rich woman. She
had no idea they were pandering to her.
She had no idea that what she really sought was a mirror of herself --
the reflection of herself to affirm herself -- or, the other fragments of
herself with which she could establish communication and thus enter into the
self-deception that an "integrated one-self" actually even exists.
She
didn't know they didn't like her. They
didn't know how afraid she was of them.
They
didn't realize how much they resented authority figures (now long internalized)
who criticized incessantly in droning parental voices.
She
didn't realize how much she feared the helplessness of the infant who is
abjectly dependent on a parent who could be capricious or simply immobilized by
her own depression, lying in bed, staring at the ceiling as her infant daughter
cried in her crib, wet and hungry and horribly alone.
And that
the aloneness becomes a habit -- familiar although not pleasant. Predictable and unshakable like all good
compulsions, especially those accompanied by the internal conviction that the
attitude or state of mind is/was necessary for survival.
And it's
a hell of a bargain, isn't it?
Survival strategies that are 80% destructive, 20% constructive -- the 80% is in the emotional, hidden realm, the 20% is in the superficial appearance of things.
So she
drives a late-model Lexus and suffers from panic attacks -- she purchases Chevy
car parts and Arctic camping supplies from Wal-Mart, then returns them after 2
weeks, still in the plastic Wal-Mart shopping bags, virtually untouched.
Urban
poverty creates madness. It causes
hallucinations that come first as voices, then as shadows in self-serve gas
stations -- then as the delusional belief that every night will bring another
step into a tableau vive / living set of Edward Hopper's Night Hawks. Safety. Salvation.
Refuge. Warmth. How?
How? How?
Drink
coffee all night, smoke cigarettes and order apple pie with ice cream. Sit on the aqua vinyl stools and look out
into the night on into the depths of the neon clock stuck between midnight and
2 a.m.
This is
eternity.
And I
still haven't figured out why, really, urban poverty ALWAYS makes people
utterly OUTSIDE, which is, of course, what madness really is.